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Creativity and Creative Industries in Regional Australia : Interconnected Networks, Shared Knowledge and Choice Making Agents
| Creativity and Creative Industries in Regional Australia : Interconnected Networks, Shared Knowledge and Choice Making Agents |
| Autore | McIntyre Phillip |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing AG, , 2024 |
| Descrizione fisica | 1 online resource (455 pages) |
| Altri autori (Persone) |
KerriganSusan
FultonJanet KingEvelyn WilliamsClaire |
| Collana | Palgrave Studies in Creativity and Culture Series |
| Soggetto topico |
Creativitat
Indústries culturals |
| Soggetto genere / forma | Llibres electrònics |
| ISBN | 3-031-45972-5 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Preface -- Acknowledgments -- Phillip -- Susan -- Janet -- Evelyn -- Claire -- Contents -- About the Authors -- List of Figures -- List of Tables -- 1: Introduction -- References -- 2: Creativity and the Creative Industries: History and Context -- Culture Industry to Cultural Industries -- Creativity -- Creativity and the Creative Industries -- The Creative Industries -- References -- 3: Creative Industries: Global and Local Perspectives -- Creative Industries Reports -- Globally Focused Reports -- Nationally Focused Reports -- State-Based Reports -- Regionally Focused Reports -- Creative Industries in the Hunter -- Creative Work -- References -- 4: Statistical Analysis -- Introduction -- Statistical Measure 1: Using 2011 Census Place of Residence Data Across Selected 6-Digit ANZSCO '06 Occupations -- Statistical Measure 2: Using 2011 and 2016 Census Data with the Creative Trident Methodology -- Further Considerations -- References -- 5: Music -- History of the Popular Music Industry: Its Accumulated Heritage -- Structure of the Popular Music Industry: The Shape of the Interconnected Field -- Business Models as Necessary and Shared Domain Knowledge -- Operational Methods of the Field -- Important Personnel in the Interconnected Field -- The Hunter Music Scene: An Interconnected Field, Shared Domain Knowledge and Set of Choice Making Agents -- Live Performance in the Hunter Region: Gigs and Venues -- Recording: Record Producers and Studios in the Hunter -- Structural Support for the Music Industry -- Brass and Concert Bands, Choirs and Orchestras: Communal Creative Practice -- The Jazz Scene -- Folk Music: A Popular Tradition -- Electronic Dance Music (EDM): The New Mainstream -- Musicians: Choice Making Agents Within the Creative (Eco)System -- Summary -- References -- 6: Performing Arts.
The Accumulated Heritage of Performing Arts in Australia: A Brief History -- Structural Elements: The Shape of the Interconnected Field -- Business Models: Shared and Crucial Domain Knowledge -- Operational Methods of the Field -- Important Personnel in the Field: Choice Making Agents -- Hunter Region Performing Arts: An Interconnected (Eco)System -- Dance in the Hunter: Domain Acquisition Through Institutional Training -- Choice Making Agents in the (Eco)System: Individual Performers, Writers, Choreographers, Composers, etc. -- Agencies, Support Workers, Venues and Festivals: Completing the Interconnected Networks of the Field -- Performing Arts Companies Operating in the Hunter: Staging Traditional and Innovative Work -- Training Organizations: Necessary Domain Immersion in Action -- Summary -- References -- 7: Architecture -- Introduction -- A Brief History of Architecture in Australia: An Accumulated Heritage -- Structure of the Architectural Field -- Business Models that Support the System -- Operational Methods and Important Personnel: Choice Making Agents in the Field -- Hunter Region Architecture -- Global and Local Businesses in the Hunter Region -- Creativity and Problem Solving in Regional Architecture -- Specializations and Service Variety: Distinction in the Marketplace -- University Education as a Source of Shared and Dynamic Domain Knowledge -- Summary -- References -- 8: Visual Arts -- Introduction -- A Brief History of Visual Arts in Australia: An Accumulated Heritage Located in Deep Time -- The Structure of the Field of Visual Arts -- Business Models: Part of Shared Domain Knowledge for the Visual Arts -- Operational Methods: Actions of the Interconnected Field -- Important Personnel: Choice Making Members of the Field of Visual Arts -- Hunter Region Visual Arts: Field, Domain and Agency at Work. Hunter Artists: Active Choice Making Agents in the Creative (Eco)System -- Photographers as Creative Choice Making Agents -- Art Galleries: Support Organizations in the Interconnected Field -- Collaborative Workspaces -- Summary -- References -- 9: Fashion -- Introduction -- A Brief History of Fashion in Australia: A Tradition of Innovation -- Structure of the Fashion Industry: The Organization of the Interconnected Field -- Business Models: Important Domain Knowledge of How the Field Gains Revenue -- Operational Methods of the Field -- Important Personnel in the Field: Choice Making Agents -- The Fashion Sector of the Creative Industries in the Hunter Region: The Field at Work -- Design and Manufacturing in the Hunter -- The Retail Arm of the Fashion Industry: How the Field Funds Itself -- Fashion Styling: Creating a "Look" -- Acquiring Domain Knowledge: Fashion Training in the Region -- Summary -- References -- 10: Advertising, PR and Design -- Introduction -- Intertwining Histories of Advertising, Marketing, PR and Design: An Accumulated Heritage -- Structure of the Fashion Industry: The Shape of the Interconnected Field -- Business Models Used by Creative Agencies -- Operational Methods Used in the Field -- Personnel from the Field: Important Choice Making Agents -- Advertising, Marketing, PR and Graphic Design: Hunter "Creatives" -- Advertising Agencies: Creative Agencies -- Design Agencies: Creative Convergence Across Interconnected Networks -- Public Relations (PR) Agencies: Sole Operators, Specialists and Embedded Workers -- Collaborative Workspaces -- Summary -- References -- 11: Publishing -- Introduction -- A Brief History of Publishing in Australia: A Heritage in Writing, Printing and Change -- The Structure of the Publishing Industry: The Shape of Things -- Business Models in Flux -- Operational Methods of the Field. Important Personnel in the Interconnected Networks of the Field of Publishing: Choice Making Agents at Work -- Publishing in the Hunter Region: A Dynamic (Eco)System in Action -- Books in the Hunter: Authors and Publishers as Choice Making Creative Agents -- Newspapers in the Region: Dynamic Change in the (Eco)System -- Hunter Magazines: Telling Local Stories in a Global World -- Zines and Blogs and Active Choice Making Entrepreneurs -- Summary -- References -- 12: Radio -- Antecedent Conditions: The History of Radio in Australia -- The Structure of Radio in Australia -- Business Models: Part of the Shared Domain Knowledge for Radio -- Operational Methods: Field Actions -- Important Personnel: Choice Making Members of the Field of Radio -- Hunter Region Radio: Field, Domain and Agency at Work -- Community Radio: An Important Part of the Interconnected (Eco)System -- The ABC: A Creative and Innovative Organization That Has Embraced the Digital -- Commercial Radio: The Interconnections of Art and Commerce -- The Independent Sector: Disruptors and Innovators Within the Creative (Eco)System of Radio -- Summary -- References -- 13: Film and Television -- A Brief History of Global Film and Television -- Screen Industry Structures: Interconnected Global and Local Networks -- Screen Business Models: Part of the Shared Domain Knowledge for Screen Industries -- Filmmaking as an Operational Method: Fields in Action -- Creative Screen Production Personnel: Choice Making Agents and Field Members -- Hunter Region Screen Industries: Field, Doman and Agency at Work in Film -- Film and Television Production Houses at Work in the Hunter -- The Television Arm of the Screen Industry System: Creative Innovation at Work in the Region -- Support Organizations and Collaborative Spaces in the Hunter Region. Film Distributors, Societies and Festivals in the Region: The Interconnected Field and Consumers -- Summary -- References -- 14: Electronic Games and Interactive Content -- Introduction -- A Brief History of Electronic Games and Interactive Content: Building a Tradition of Innovation -- Structure of a Dynamic Sector -- Business Models in a Diverse Environment -- Operational Methods of the Field -- Important Personnel in the Field: Choice Making Agents Within the (Eco)System -- The Hunter and the Electronic Games and Interactive Content Sector of the Creative Industries -- Virtual and Augmented Reality Simulations in the Hunter: Innovation Within the Field -- The Games World in the Hunter: A Developing Field -- Software Applications in the Hunter: Convergence Across Fields -- Summary -- References -- 15: Support Organizations, Education and Training -- Introduction -- Education and Training: Domain Acquisition -- University Education and Shared Knowledge: Formal Acquisition of the Domain in the Creative Industries -- Vocational Education and Training: Industry Linked Domain Acquisition -- Specialty Schools: Shared Knowledge of Specific Domains -- Other Training and Learning Centers: Acquiring Field Skills and Domain Knowledge -- Support Organizations, Groups and Businesses: The Interconnected Networks of the Field at Work -- Industry Development Organizations: The Field Supporting Creatives and Industry -- Business Enablers, Consultants and Other Support Organizations: Building the Creative (Eco)System -- Summary -- References -- 16: Conclusion -- References -- Index. |
| Record Nr. | UNINA-9910799230303321 |
McIntyre Phillip
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| Cham : , : Springer International Publishing AG, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Educating for Creativity within Higher Education [[electronic resource] ] : Integration of Research into Media Practice / / by Phillip McIntyre, Janet Fulton, Elizabeth Paton, Susan Kerrigan, Michael Meany
| Educating for Creativity within Higher Education [[electronic resource] ] : Integration of Research into Media Practice / / by Phillip McIntyre, Janet Fulton, Elizabeth Paton, Susan Kerrigan, Michael Meany |
| Autore | McIntyre Phillip |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (254 pages) |
| Disciplina | 153.35 |
| Collana | Creativity, Education and the Arts |
| Soggetto topico |
Higher education
Art education Educational technology Learning Instruction Higher Education Creativity and Arts Education Educational Technology Learning & Instruction |
| ISBN | 3-319-90674-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1. Setting the Scene -- Chapter 2. Deep Background to the Project -- Chapter 3. The Evolution of a Psychology of Creativity -- Chapter 4. Towards a Sociology of Creativity -- Chapter 5. Confluence Approaches and the Systems Model of Creativity -- Chapter 6. Creativity, Education and the Systems Approach -- Chapter 7. Developing Curriculum and Courses Using Systems Centred Learning (SCL) -- Chapter 8. The Undergraduate Experience of SCL: The Core and the Media Production Major -- Chapter 9. The Media Production Project: Integrating Theory with Practice -- Chapter 10. Adapting Systems Centred Learning for Other Institutional Settings -- Chapter 11. Creativity and the Postgraduate Experience -- Chapter 12. Implications of a Systems Centred Learning Approach. |
| Record Nr. | UNINA-9910299517503321 |
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McIntyre Phillip
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Palgrave Handbook of Screen Production [[electronic resource] /] / edited by Craig Batty, Marsha Berry, Kath Dooley, Bettina Frankham, Susan Kerrigan
| The Palgrave Handbook of Screen Production [[electronic resource] /] / edited by Craig Batty, Marsha Berry, Kath Dooley, Bettina Frankham, Susan Kerrigan |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
| Descrizione fisica | 1 online resource (500 pages) |
| Disciplina | 791.430232 |
| Soggetto topico |
Motion pictures - Production and direction
Motion picture authorship Motion pictures Film and TV Production Screenwriting Film/TV Industry |
| ISBN | 3-030-21744-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part 1: Conceptualising the screen work: ideas, intentions, contexts -- Chapter 1 Creative filmmaking processes, procedures and practices: Embodied and internalised filmmaking agency -- Chapter 2 Commission, position and production: Intent and intervention in minority language programmes -- Chapter 3 Having something to say and saying it well -- Chapter 4 Understanding the underlying principles of the short film -- Chapter 5 Two screenplays, one writer, national voice -- Chapter 6 Off screen: Re-imagining animation -- Chapter 7 The Dr Egg Adventures: Incorporating user-generated content and user-testing strategies in pre-production conceptualization and development of a multi-platform storyworld -- Chapter 8 Taking place, screening place: Studying locations in television drama production -- Chapter 9 Wayfaring, co-presence and mobility: Conceptualising and re-conceptualising with smartphones -- Part 2: Developing the screen work: collaboration, imagination, distillation -- Chapter 10 Writing bodies: developing and scripting an embodied feature film screenplay -- Chapter 11 Putting theory into practice: Structuring the personal essay documentary, The Silences -- Chapter 12 Work-in-progress: The Writing of Shortchanged -- Chapter 13 Developing Baxter and Me: Maintaining authorial voice against industry pressures -- Chapter 14 Writers, producers and creative entrepreneurship in web series development -- Chapter 15 Local content producers: Co-creating communal stories and community in the Big Stories, Small Towns participatory documentary project -- Part 3: Realising the screen work: practice, process, pragmatism -- Chapter 16 Creative Practice: A Love Story -- Chapter 17 Creating and designing the contemporary soundtrack: A case study -- Chapter 18 The (braided) documentary voice: theorising the complexities of documentary making -- Chapter 19 Editing the observed: Evaluation and value creation processes in the editing of a feature documentary film -- Chapter 20 The beginning of a beautiful relationship: A case study exploration of collaborative creative practice -- Chapter 21 “Make it in post”: Digital visual effects and the temporality of creative value in post-production -- Chapter 22 Trapped: A case study of international co-production -- Chapter 23 Production practices in the filming of German scripted reality shows -- Chapter 24 Embracing the TV commercial: Charms and challenges of selling on screen -- Part 4: Exhibiting the screen work: places, spaces, ecologies -- Chapter 25 Producing the other in international film festivals: Festival fund, address and the making of authenticity in Gabriel Mascaro’s Neon Bull -- Chapter 26 The Live Cinema paradox: Continuity and innovation in live film broadcast, exhibition, and production -- Chapter 27 Digital disruption and innovation in distribution: Opportunities for research-based filmmaking in the new global screen ecology -- Chapter 28 Dispositifs at play: Artists’ moving image in the gallery -- Chapter 29 Mobile reception: Materiality and locality with small screens -- Chapter 30 Appeasing the trolls: Contextualising new screen practices with smartphones -- Part 5: Teaching the screen work: pedagogies, practices, approaches -- Chapter 31 There is no ‘e’ in ‘constraints’: Teaching creativity in Higher Education screen production -- Chapter 32 “Is this degree practical or theoretical?” Screen and media education, studio-based teaching and signature pedagogies -- Chapter 33 Teaching screen arts in Australia: Challenges, opportunities and current trends -- Chapter 34 VR and screen education: An approach to assist student understanding of narrative emphasis, spatiality and structural elements within narrative VR -- Chapter 35 Teaching screenwriting through script development: Looking beyond the screenplay. |
| Record Nr. | UNINA-9910484669503321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Screen production research : Creative practice as a mode of enquiry / / edited by Craig Batty, Susan Kerrigan
| Screen production research : Creative practice as a mode of enquiry / / edited by Craig Batty, Susan Kerrigan |
| Edizione | [1st edition.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (XXVI, 253 pages) : illustrations (some colour) |
| Disciplina | 791.430230711 |
| Soggetto topico |
Motion pictures - Production and direction
Sociology—Research Digital media Motion picture authorship Documentary films Film and TV Production Research Methodology Digital/New Media Screenwriting Documentary |
| ISBN | 3-319-62837-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. A ‘Logical’ Explanation of Screen Production as Method-Led Research - Susan Kerrigan -- 3. Lights, Camera, Research: The Specificity of Research in Screen Production - Leo Berkeley -- 4. The Primacy of Practice: Establishing the Terms of Reference of Creative Arts and Media Research - Desmond Bell -- 5. Screenwriting as a Mode of Research, and the Screenplay as a Research Artefact - Craig Batty and Dallas J Baker -- 6. Using Practitioner Based Enquiry (PBE) to Examine Screen Production as a Form of Creative Practice - Phillip McIntyre -- 7. Ethnography and Screen Production Research - Marsha Berry -- 8. Method in Madness: a Case Study in Practice Research Methods - Erik Knudsen -- 9. Cinematography: Practice as Research, Research into Practice - Cathy Greenhalgh -- 10. Practices of Making as Forms of Knowledge: Creative Practice Research as a Mode of Documentary-making in Northeast India - Aparna Sharma -- 11. Fragments, Form and Photogénie: Using Practice to Research the Intersectional Work of Poetic Documentary - Bettina Frankham -- 12. Peter Kennedy’s The Photographs’ Story: the Dialectical Image as Research - John Hughes -- 13. The Naïve Researcher, Resisting Methodology: a PhD Experience - Smiljana Glisovic -- 14. Afterword: Tacit Knowledge and Affect – Soft Ethnography and Shared Domains Belinda Middleweek and John Tulloch. . |
| Record Nr. | UNINA-9910300005303321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||